by Eric Galder Gaztelu-Urrutia’s Rich Flu (2024), an audacious meditation on wealth’s terminal decay, emerges as a glistening, if occasionally hollow, critique of contemporary society’s slavish devotion to affluence. There is a
P.K. Surendran is a noted film critic from Kerala, India, and a prominent voice in South Asian film discourse. A recipient of the Kerala State Award for the best book on cinema,
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by Eric Galder Gaztelu-Urrutia’s Rich Flu (2024), an audacious meditation on wealth’s terminal decay, emerges as a glistening, if occasionally hollow, critique of contemporary society’s slavish devotion to affluence. There is a
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by Luxman Aravind In Megalopolis, Francis Ford Coppola doesn’t just create a film; he constructs a towering narrative that forces viewers to confront the fragility of human dreams, the collapse of idealism,
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